Numeromag.nl – Taron Egerton is an award-winning actor whose versatile and charismatic performances continuously capture audiences around the world. He won the Golden Globe Award for Best Actor in a Musical or Comedy for his portrayal as the iconic singer Sir Elton John in Dexter Fletcher’s ‘Rocketman’ for Paramount Pictures. For this performance he was also honored with the Actor of The Year Award at the Hollywood Film Awards and took home the Virtuoso Award at the Santa Barbara Film Festival. Taron was most recently seen in the biographical drama ‘Tetris’, which was released on Apple TV+ at the end of March.
Taron, you just starred in the biographical drama ‘Tetris’, which delved into the legal battles that took place during the Cold War over ownership of the game, and focused on the powerful dynamic the game had in the industry while uncovering historical circumstances in world politics. How would you describe this bigraphical film’s portrayal of the ownership battle and the game’s impact on the society?
I don’t think the movie is overtly political. Sure, it’s set during a moment of political interest that happened during the final moments of Soviet Union, but it’s really just a story of two men from two very different places bonding over a shared love of gaming. Tonally, it’s very popcorn and I would describe it as a piece of entertainment rather than anything with a great deal to say about the state of the world then or now. It’s a crazy story and one worthy of depiction simply to prove that the truth is often as engaging as fiction.
In the film, you portray Henk Rogers, the Dutch-born video game entrepreneur who introduced the world to Tetris. How would you say he dealt with the whole situation and what could he maybe do differently or better?
I think he could have been less naive, but then he probably wouldn’t have done what he did. His flaws are also what makes him appealing. He’s a little naive, maybe even foolish and cavalier, but those are also the reasons you love him. He puts his goal ahead of his own wellbeing and that’s quite a charming quality. I suppose you could also say he slightly neglects his responsibility as a father and that is certainly an area for improvement.
You’ve played in quite some biographical films. Which one stands out the most among them and why?
‘Rocketman’ will always be a beautiful, insane chapter in my story. Not only did I get to portray someone so iconic, but I think it’s a solid movie and I’m proud of it. It’s not often things come together in the way that project did. I’ll always cherish those memories.
Written by Tiffany on June 01 2023
Written by Tiffany on July 23 2022
When I arrange to meet Taron Egerton in London’s Soho at the legendary Café Boheme, it’s a good three years and one global pandemic on from our last interview for Flaunt, in which we unpacked the role in Rocketman that catapulted him to international fame. I’m sipping on a very strong coffee when he arrives, having spent the early hours watching the entirety of the gripping six-part mini-series Black Bird, which is kind of like saying I’ve just recovered from an excoriating emotional experience. Egerton’s debut outing as executive producer, now streaming via Apple TV+, and his first piece of work since portraying Elton John, is a genuinely pitch-black dramatization of the true story of James “Jimmy” Keene—an imprisoned drug dealer offered his freedom by the FBI if he agrees to transfer to a maximum security penitentiary for the criminally insane and befriend a man convicted of killing a 15-year-old girl, who they firmly believe has raped and murdered countless others across the Midwest. Egerton plays the athletic and charismatic ladies’ man Keene, whose life pre-incarceration revolves around fast cars, hollow sexual encounters and moving hefty quantities of heroin—a lifestyle brutally interrupted when he gets busted and sentenced to ten years in the can, which seems a bad enough fate, until his freedom-pact to get up-close-and-personal with serial killer Larry Hall plunges him into the seventh circle of hell. Adapted for the screen from Keene’s biographical novel by the acclaimed Dennis Lehane, it’s a gritty and uncompromising offering that could not be further from the work Egerton has been known for thus far. Black Bird’s plot to inveigle incriminating details of multiple murders from a monster, in order to make sure he remains behind bars, excavates the darkest psychological corners of humanity.
“This felt like a really grown up performance—well, me trying to give a grown up performance,” says the actor with characteristic modesty as we order two beers on one of the hottest days of the year so far, in a country that, like most others, is feeling the searing encroachment of climate change. “From the moment you land at Springfield Prison, it’s supposed to feel like you’re in the belly of the beast, and something really appealed to me about that darkness. I’ve loved what I’ve done so far, but I wanted to do something that felt heavier.” he continues, “And they are both such compelling characters. It felt almost like touching the void with the subject matter being what it is, and with what Larry Hall actually is—the absolute darkest of the dark.” [Read More At Source]
Written by Tiffany on July 06 2022
nytimes.com -The 32-year-old plays an imprisoned drug dealer facing an unusual choice in the Apple TV+ series, written by Dennis Lehane.
Taron Egerton channeled a pop god in the Elton John biopic “Rocketman,” winning raves — and a Golden Globe — for his portrayal of how a shy piano prodigy blossomed into an international superstar.
But in his latest role, as a convicted drug dealer in the new Apple TV+ drama “Black Bird,” he had no outlandish sunglasses or feather boas to cast off when shooting wrapped each day. For “Black Bird,” which is based on a true story, he had to cast off something darker: the confessions of Larry Hall, a man convicted in connection with one girl’s death who was suspected to have kidnapped, raped and killed many more.
“As much as it was a great experience creatively, there were days where I went home feeling like, I don’t really want to listen to this stuff anymore,” Egerton, whose character’s task is to elicit those confessions, said in a recent video call from his London kitchen.
Egerton, 32, who has lent his soulful tenor voice to characters both flamboyant (John) and furry (the mountain gorilla Johnny in the animated musical “Sing”), could have taken his pick of just about any musical role after “Rocketman.” And then there are those chiseled good looks and piercing green eyes, which seem to beg for a cape and spandex.
Instead, he wanted his next major on-camera role to be one that showed the world he was more than a song-and-dance man.
Written by Tiffany on September 04 2020
WWD.Com – Signaling its ongoing ambitions in the sustainability space, Napapijri has drafted Taron Egerton for its fall 2020 Choose Future campaign, which was shot in the countryside and on the beaches of the actor’s native Wales.
The outdoor brand owned by VF Corp. has long been flying the sustainability flag: It started working on the development of sustainable products in 2012 when it became fur-free.
Not long after, it stopped using down feathers and began introducing sustainable, lightweight, recyclable materials such as Econyl nylon, a high-performance yarn recycled from discarded fishing nets and other waste materials. It also began employing digital knitting techniques aimed at reducing the use of raw materials, water and chemical dyes.
Fall 2020 is an important season for the brand as it marks the launch of the Napapijri Circular Series, a family of fully recyclable jackets entirely made of Nylon6, which is recyclable and durable. The collection includes an anorak, puffer and longer “rainforest” jacket.
The fall 2020 shoot is the latest installment in Napapijri’s ongoing Choose Future campaign series, which made its debut in 2019. The series is meant to telegraph positivity, with a focus on “taking action for a better society,” according to the company.
Written by Tiffany on August 24 2020
gq-magazine.co.uk – Days before lockdown, Taron Egerton and his partner, Emily, left London for Wales. Back to Aberystwyth, where he grew up, his family still lives and nobody cares who he is. “There were rumblings of martial law,” he remembers. “Tanks on the M4! And I started to believe it.” He was still in Wales when we spoke last week. “In some respects, it’s been lovely,” he says. “I devoured books.” He shows me a bookcase and raves about a local author, Niall Griffiths. He is a bit like Cormac McCarthy. He also read Emily St John Mandel’s Station Eleven, which is about a pandemic. Bit intense? “I had a panic attack reading it.”
Mostly, though, Egerton seems entirely calm. We caught up as Montblanc unveiled their latest campaign, What Moves You, Makes You, for which Egerton will start making his mark with the maison. Just a man in a black T-shirt and black cap, at his kitchen table on the other end of a chatty Zoom call, his life now is some shift from last year, when he was on a global gallivant to promote Rocketman, the Elton John biopic that dazzled with its invention and candid homosexuality. From that to… this. It must feel like a comedown of “Elton-in-the-1980s” proportions.
“It has felt like a nice antidote,” he argues. “As much as I enjoyed last year, with all the craziness, it’s nice to step away from the limelight. I’ve enjoyed being in my hometown. I feel like a member of a community. Rocketman was very exciting. I met Meryl Streep, Brad Pitt. But it’s good to get back to reality. I like being down the road from my mum. I like being down the road from my little sisters. It’s very important for my sanity. I love Hollywood, but I like to withdraw back to something that feels more normal.”
This year, Egerton was named a “Mark-Maker” for Montblanc. He likes the brand, from its pens to an 1858 watch that’s now in his collection. “It’s got a sense of history to it and a nifty means of distinguishing time zones,” he says, “which is lovely when things are busier. I’m constantly combating chaos in my life and Montblanc’s products give structure to what would otherwise be a whirlwind of creative thoughts.”
So he likes to write? “I do. And I hope to more in the future and to have my first go at directing. What I find, when you have luxurious products, is it reminds you to exercise a discipline in your creative life and have some order that begets creativity.” Will he write his proposed film out by hand then? “Well, actually, the thing I’m hoping to direct doesn’t have any dialogue in it.”